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Creative evening of Sergei Solovyov

"100 days after childhood - constant value"
5 May 2016

On the eve of the International Women’s Day – March 8, “7 Colors” held 9 meeting from the cycle “7 meetings with the famous Guests” 7 Colors “. The guest of the evening was Sergey Soloviev, the film director, the creator of such films as “Anna Karenina”, “Egor Bulychev and others”, “One Hundred Days After Childhood”, “The House Under the Starry Sky”, and, of course, the trilogy of “ACCA” – the cult Soviet film.

This evening, the Museum. A.S. Pushkin was filled with a special atmosphere of the holiday: all women without exception were presented with flowers, treated with champagne and complimented.

Before the performance, the guests could watch the translation of Sergey Solovyov’s films, the most vivid moments of them: V. Tsoi’s speech in “ACCA”, a political anecdote narrated by A. Abdulov from “Black Rose – Emblem of Sorrow, Red Rose – Emblem of Love” and a trailer of a new the movie “KE-DY”.

When Sergey Solovyov came onstage, he immediately grabbed the attention of the audience: “Here’s your arm broke, so forgive me if the evening goes wrong, as planned. Everything is unpredictable. ”

Then he shared the story of a broken arm, which he had recently broken three times. The first time in Moscow, and operated by his best surgeon of the RSFSR, the second time in America, when the doctors saw how his hand, concluded that they had operated on Mr. Solovyov, the Israeli doctors … on the battlefield … in harsh conditions.

And the third time, when I was in a hurry to open, the door thinking that it came from the tax, and they need to open it in time, and it turned out to be just a son … I shared the history of entering the VGIK: “I did not even plan to do it, just came to see . There were no seats, and all of us were placed in recreation, where the TV was and views were arranged. And one by one they began to screen out the extra ones, until I stayed. That’s what I did. ” The story of the creation of the film “ACCA” was interesting: “At that time the film” Moscow does not believe in tears, tickets were not available, and people even wrote to the Moscow City Council to do additional shows. “And on my picture the soldiers were driven out so that the empty seats in the hall would not And then I decided to shoot something like that, too, writing letters and asking for additional sessions. Initially, the name was “Hello, boy Bananan”, but then renamed “ACCA.” The heroes were themselves, came to Leningrad and immediately met Sergei Bugaev, in gaiters and an alcoholic vest who played the part of “Africa.” Then the rest of them got together …

The second part of the evening is a traditional live dialogue with the audience. Guests asked a variety of questions:
– How did you work with V. Tsoi? The
– No way. We did not work, he did everything himself, he lived. The KGB in general thought that he was an agent, and I was an accomplice. The
– In your childhood you lived in the East. What imprint did he place on you? The
– In each of us there is something eastern. In his childhood he lived in Korea, but the nanny was Japanese. Now sometimes I remember something from the language and I can involuntarily give out something. The
– Was it that you wrote a script for a certain actor? The
– I always write a script for a certain actor. And if it is not there – I start to “scour”, I will find and write. The
– How do you assess Russian cinema, are there any chances to get an Oscar? The
– The movie that is being shot now – I do not appreciate it at all. Mass, faceless. And Oscar? Why do we need this “Oscar”? The

The evening ended with the congratulations of women from 8 March and an autograph session with the Guests.

Creative evening of Sergei Solovyov 2

"100 days after childhood - constant value"
5 May 2016

On the eve of the International Women’s Day – March 8, “7 Colors” held 9 meeting from the cycle “7 meetings with the famous Guests” 7 Colors “. The guest of the evening was Sergey Soloviev, the film director, the creator of such films as “Anna Karenina”, “Egor Bulychev and others”, “One Hundred Days After Childhood”, “The House Under the Starry Sky”, and, of course, the trilogy of “ACCA” – the cult Soviet film.

This evening, the Museum. A.S. Pushkin was filled with a special atmosphere of the holiday: all women without exception were presented with flowers, treated with champagne and complimented.

Before the performance, the guests could watch the translation of Sergey Solovyov’s films, the most vivid moments of them: V. Tsoi’s speech in “ACCA”, a political anecdote narrated by A. Abdulov from “Black Rose – Emblem of Sorrow, Red Rose – Emblem of Love” and a trailer of a new the movie “KE-DY”.

When Sergey Solovyov came onstage, he immediately grabbed the attention of the audience: “Here’s your arm broke, so forgive me if the evening goes wrong, as planned. Everything is unpredictable. ”

Then he shared the story of a broken arm, which he had recently broken three times. The first time in Moscow, and operated by his best surgeon of the RSFSR, the second time in America, when the doctors saw how his hand, concluded that they had operated on Mr. Solovyov, the Israeli doctors … on the battlefield … in harsh conditions.

And the third time, when I was in a hurry to open, the door thinking that it came from the tax, and they need to open it in time, and it turned out to be just a son … I shared the history of entering the VGIK: “I did not even plan to do it, just came to see . There were no seats, and all of us were placed in recreation, where the TV was and views were arranged. And one by one they began to screen out the extra ones, until I stayed. That’s what I did. ” The story of the creation of the film “ACCA” was interesting: “At that time the film” Moscow does not believe in tears, tickets were not available, and people even wrote to the Moscow City Council to do additional shows. “And on my picture the soldiers were driven out so that the empty seats in the hall would not And then I decided to shoot something like that, too, writing letters and asking for additional sessions. Initially, the name was “Hello, boy Bananan”, but then renamed “ACCA.” The heroes were themselves, came to Leningrad and immediately met Sergei Bugaev, in gaiters and an alcoholic vest who played the part of “Africa.” Then the rest of them got together …

The second part of the evening is a traditional live dialogue with the audience. Guests asked a variety of questions:
– How did you work with V. Tsoi? The
– No way. We did not work, he did everything himself, he lived. The KGB in general thought that he was an agent, and I was an accomplice. The
– In your childhood you lived in the East. What imprint did he place on you? The
– In each of us there is something eastern. In his childhood he lived in Korea, but the nanny was Japanese. Now sometimes I remember something from the language and I can involuntarily give out something. The
– Was it that you wrote a script for a certain actor? The
– I always write a script for a certain actor. And if it is not there – I start to “scour”, I will find and write. The
– How do you assess Russian cinema, are there any chances to get an Oscar? The
– The movie that is being shot now – I do not appreciate it at all. Mass, faceless. And Oscar? Why do we need this “Oscar”? The

The evening ended with the congratulations of women from 8 March and an autograph session with the Guests.

Creative evening of Sergei Solovyov 3

"100 days after childhood - constant value"
5 May 2016

On the eve of the International Women’s Day – March 8, “7 Colors” held 9 meeting from the cycle “7 meetings with the famous Guests” 7 Colors “. The guest of the evening was Sergey Soloviev, the film director, the creator of such films as “Anna Karenina”, “Egor Bulychev and others”, “One Hundred Days After Childhood”, “The House Under the Starry Sky”, and, of course, the trilogy of “ACCA” – the cult Soviet film.

This evening, the Museum. A.S. Pushkin was filled with a special atmosphere of the holiday: all women without exception were presented with flowers, treated with champagne and complimented.

Before the performance, the guests could watch the translation of Sergey Solovyov’s films, the most vivid moments of them: V. Tsoi’s speech in “ACCA”, a political anecdote narrated by A. Abdulov from “Black Rose – Emblem of Sorrow, Red Rose – Emblem of Love” and a trailer of a new the movie “KE-DY”.

When Sergey Solovyov came onstage, he immediately grabbed the attention of the audience: “Here’s your arm broke, so forgive me if the evening goes wrong, as planned. Everything is unpredictable. ”

Then he shared the story of a broken arm, which he had recently broken three times. The first time in Moscow, and operated by his best surgeon of the RSFSR, the second time in America, when the doctors saw how his hand, concluded that they had operated on Mr. Solovyov, the Israeli doctors … on the battlefield … in harsh conditions.

And the third time, when I was in a hurry to open, the door thinking that it came from the tax, and they need to open it in time, and it turned out to be just a son … I shared the history of entering the VGIK: “I did not even plan to do it, just came to see . There were no seats, and all of us were placed in recreation, where the TV was and views were arranged. And one by one they began to screen out the extra ones, until I stayed. That’s what I did. ” The story of the creation of the film “ACCA” was interesting: “At that time the film” Moscow does not believe in tears, tickets were not available, and people even wrote to the Moscow City Council to do additional shows. “And on my picture the soldiers were driven out so that the empty seats in the hall would not And then I decided to shoot something like that, too, writing letters and asking for additional sessions. Initially, the name was “Hello, boy Bananan”, but then renamed “ACCA.” The heroes were themselves, came to Leningrad and immediately met Sergei Bugaev, in gaiters and an alcoholic vest who played the part of “Africa.” Then the rest of them got together …

The second part of the evening is a traditional live dialogue with the audience. Guests asked a variety of questions:
– How did you work with V. Tsoi? The
– No way. We did not work, he did everything himself, he lived. The KGB in general thought that he was an agent, and I was an accomplice. The
– In your childhood you lived in the East. What imprint did he place on you? The
– In each of us there is something eastern. In his childhood he lived in Korea, but the nanny was Japanese. Now sometimes I remember something from the language and I can involuntarily give out something. The
– Was it that you wrote a script for a certain actor? The
– I always write a script for a certain actor. And if it is not there – I start to “scour”, I will find and write. The
– How do you assess Russian cinema, are there any chances to get an Oscar? The
– The movie that is being shot now – I do not appreciate it at all. Mass, faceless. And Oscar? Why do we need this “Oscar”? The

The evening ended with the congratulations of women from 8 March and an autograph session with the Guests.

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